Tina Engstrom

Fighting History Exhibition at Tate Britain

The Fighting History exhibition launching at Tate Britain in June will focus on the conflict, martyrdom and catastrophe found in history painting from the eighteenth century to the present day.

In England, history painting first emerged in the eighteenth century. Artists such as John Singleton Copley (1738–1815) and Benjamin West (1738–1820) presented recent British battles and deaths in the grandest possible manner and depicted scenes from ancient history to remind viewers of the timeless virtues to which they should aspire. This exhibition will show how these traditions of history painting have persisted in the work of British modernists such as Winifred Knights and Stanley Spencer, in Richard Hamilton and Rita Donagh’s work of the 1980s, in the work of Dexter Dalwood and in recent installations such as Jeremy Deller’s Battle of Orgreave 2001. It will celebrate the emotional power of history painting and show its persistent place in art.

The Fighting History exhibition at Tate Britain is on 9 June – 13 September 2015. 

The Poll Tax Riot 2005

The Poll Tax Riots 2005. Photo: © The Artist and Simon Lee Gallery, London & Hong Kong.

Leave a Reply

Your email address will not be published. Required fields are marked *

You may also like

Sandycombe Lodge - J.M.W. Turner's Thames House Re-Opens

Sandycombe Lodge, the Thames-side villa designed by J. M. W. Turner, has now been re-opened to the public, following a £2.4 million conservation programme. Built in Twickenham in 1813, it was a peaceful retreat for him and he lived there with his father until 1826. Using Turner’s sketches, a William Havell drawing of 1814, architectural evidence and paint analysis, the Turner’s House Trust has returned the house to its original form and decoration as closely as possible.

Read more

JMW Turner: London-Born Master of Romantic Landscape and History Painting

The collector William Beckford said of Turner: ‘He paints now as if his brains and imagination were mixed up on his palette with soapsuds and lather.’ Whether insult or compliment, it’s a great description of this Romantic artist who raised humble landscape painting to the level of intellectual history painting.

Read more