A blockbuster exhibition at the National Gallery traces the travels of Albrecht Dürer (1471-1528), the ‘Apelles of the black line’ as Erasmus called him. These journeys were principally to cities along the Rhine (1490-4), twice to Venice (1505-7), and the Netherlands (1520-21). No other artist has produced a comparable body of work from the experience of travel. Like the landmark self-portrait of 1500, which evokes Christ (above) Durer’s art signals a self-awareness that crosses frontiers.

Using the work of Monet as a starting point, The Royal Academy of Arts landmark exhibition Painting The Modern Garden: Monet To Matisse examines the role gardens played in the evolution of art from the early 1860s through to the 1920s.