Few people are as passionate about the Battersea area of London than muralist Brian Barnes MBE, who for the last forty-five years has been leaving his artistic touch on derelict industrial carcasses and council housing estates, some in plain sight and others in the most inconspicuous of locations. He first gained recognition in 1976 with his 267 foot long mural: Battersea: The Good, the Bad and the Ugly, on Battersea Bridge Road, which depicted a brush sweeping away the industrial dilapidation along Battersea’s riverfront, and replacing it with a colourful utopian vision of social prosperity for the local community.

Granted Freedom of the City of London in 1993, I have often been asked whether I had ever exercised my right to herd sheep or cattle across London Bridge. This ancient privilege to bring animals into the City without payment of tolls had long since been abandoned when the livestock markets closed and in any case was of no special importance once the gates and a single river crossing were replaced by the modern landscape we all know today.