Tina Engstrom

Cornelia Parker’s One More Time Unveiled at St Pancras

Cornelia Parker’s One More Time was unveiled recently at St Pancras International station as the inaugural artwork in Terrace Wires, billed as “the fourth leg” of London’s rotational public art spaces alongside the Fourth Plinth, Serpentine Gallery and the Tate Modern’s Turbine Hall.

The piece, which is a working replica of the station’s iconic DENT London clock reversed out in black with white hands and numerals and silver detail, is suspended 16 metres in front of the original so for those alighting from the trains the original face will gradually appear eclipsed. Conceived to invoke meditative thoughts on the passage of time, life and mortality Parker describes the clock as “the most conscious focus of a railway station, a dominant force”.

Cornelia Parker - One More Time

One More Time, 2015, by Royal Academician Cornelia Parker for Terrace Wires at St Pancras International station, co-presented by HS1 Ltd. and the Royal Academy of Arts. Photo: © Tim Whitby, Getty Images.

 

 

Leave a Reply

Your email address will not be published. Required fields are marked *

You may also like

Queer Venues in London - Popular LGBTQ+ Bars, Clubs & Pubs

There is a vast array of Queer spaces and venues in London. Some of my absolute favourites have been closed and shut down, like Astoria, Candy Bar, the Black Cap, and Popstarz as the London streets are revamped and regenerated. While there are many more old, new closed and open, those listed below are some of my personal favourites. They have been collected from my experiences and memories made at each of these locations.

Read more

The Black Sailors Of Georgian London

Inspired by the new exhibition “Black Greenwich Pensioners” at the Old Royal Naval College (which at the time of writing I have yet to visit), my mind recently turned to Britain’s Black seafaring past, particularly to the time Britain was most actively involved in the Transatlantic Slave Trade and the enslavement of Africans, a time which loosely coincides with what we refer to as the Georgian age (1714-1837).

Read more